Any time you need stylish, compact packaging, pillow boxes offer a distinctive curved design that elevates your gifts, vouchers, and jewellery. You get eye-catching presentation, robust protection up to 350 gsm, and premium finishes, but note they are unsuitable for heavy or sharp items. Ordering personalised runs is easy with Print & Graphics, making pillow boxes a smart choice to impress customers and safeguard delicate contents.
You’ll notice immediately that the distinctive pillow shape gives your packaging a friendly, contemporary look that stands out from angular boxes; it’s ideal for textiles, vouchers, jewellery and small gifts. When you personalise your design, Print & Graphics can produce high-quality runs even from a quantity of 1, so your branding stays consistent whether you need a single sample or a full batch.
The printed surface is where your design truly sings: standard CMYK four‑colour printing delivers accurate colour reproduction, and finishing options — gloss, soft‑touch, matte lamination and UV spot varnish — let you control sheen, tactile feel and contrast to make your packaging feel premium.
You use pillow boxes to create moments: the curved sides and neat tuck‑in closures convey care and thoughtfulness, so choose a size that matches the gift — from 60 x 20 x 60 mm for delicate items up to 300 x 100 x 300 mm for larger presents — to ensure the unboxing feels intentional. After printing, boxes are punched, creased flat and glued, then delivered unfolded so you can assemble them as needed.
When preparing artwork you must leave a 2‑mm bleed and use the supplier’s PDF template to avoid print complications; failing to do so can cause misalignment or trimmed graphics. Material choices also affect the emotional weight of the gift: we use GC2 chromo board with different grammages — 250 gsm for smaller sizes, 300 gsm up to 270 mm, and 350 gsm for the largest boxes — to guarantee rigidity and durability.
To amplify the emotional impact, combine visual and tactile contrasts: apply soft‑touch lamination for a velvety feel on the exterior and use UV spot varnish for glossy highlights that catch the eye, so your recipient experiences both surprise and delight when they open your gift.
You should pick a square format when you need a compact, balanced presentation for small, delicate items like jewellery, single cosmetics, or vouchers — the 60 x 20 x 60 mm to 300 x 100 x 300 mm range covers most needs. Choose a rectangular format for elongated or foldable items such as ties, scarves, or shirts; rectangular sizes run from 60 x 20 x 120 mm up to 350 x 100 x 300 mm, giving you better internal length without wasted volume.
When preparing your print file, use the PDF template from Print & Graphics and include a 2-mm bleed so artwork aligns after trimming. If you plan heavier or bulkier contents, avoid overstuffing: too much strain can split seams or deform the box, so opt for higher grammage board or an alternative box type for weight-bearing items.
Custom contours, die-cut windows, hexagonal or cylindrical pillow boxes, and integrated handles let you tailor the shape to your product and brand — these options raise perceived value and make unboxing memorable. Refinements such as gloss, matte or soft-touch lamination and UV spot varnish further enhance tactile and visual appeal, but they also change production constraints and cost.
Be aware that unusual shapes can introduce structural challenges: intricate curves or thin bridges may weaken the box under load, and complex dielines often require prototype checks. Work with your printer (for example, Print & Graphics) to confirm material choice — GC2 chromo board and appropriate grammage (250–350 gsm depending on size) can mitigate many issues.
Prototyping is important: request a sample or small run (many suppliers, including Print & Graphics, can produce from a single unit) to test fit, closure function, and finishing effects; punching, creasing and gluing affect final performance, and you’ll want to verify how your chosen refinements behave before committing to larger quantities.
You should match cardboard strength to the size and weight of your items: for small pillow boxes with side lengths up to 150 mm, 250 gsm provides good rigidity; medium sizes benefit from 300 gsm; and the largest formats require 350 gsm to avoid deformation. Opt for GC2 chromo board or similarly double-coated, high-volume board when you need a balance of printability and structural integrity.
Your choice affects protection in transit and on-shelf appearance. Thin board will bend, crease, or crush under pressure — a direct risk to fragile contents — while higher-grammage board maintains shape, supports finishing like lamination, and resists puncture. If you want durability plus refinement, choose a board that accepts gloss, matte, or soft-touch finishes without weakening the structure.
You can reduce environmental impact without sacrificing strength by choosing boards with recycled content and FSC-certified virgin fibers; modern recycled boards can deliver comparable stiffness and print results. Favor water-based or vegetable-based inks and aqueous coatings that are easier to recycle than plastic laminates, and ask suppliers about mono-material constructions that simplify end-of-life processing.
Avoid mixed-material combinations that make recycling impossible: plastic lamination or heavy metallic foils often render the box non-recyclable and should be used only when absolutely necessary for branding. If you work with a printer such as Print & Graphics, request their eco-friendly finishing options and certification details so you can balance presentation with long-term recyclability.
Practical steps you can take: specify board grammage and certification on your order, choose single-material laminates or no laminate, prefer water-based varnishes, and consolidate runs to reduce carbon per unit; these choices give you a strong, attractive pillow box while keeping environmental harm to a minimum.
When you choose CMYK four-colour printing for your pillow boxes, you’re using a process that builds every image from four ink plates: cyan, magenta, yellow and black. This method gives you flexible full-colour reproduction and consistent results, making it ideal for photographic artwork, gradients and complex branding. CMYK is the industry standard for packaging, and at Print & Graphics you can rely on it for high-quality, repeatable output.
Be aware of limits: some neons, metallics and extremely saturated hues fall outside the CMYK gamut, and screens will often look different from press results. Also, low-resolution images, out-of-gamut colours, and missing bleed can cause visible defects, so supply high-resolution artwork, work in the correct colour profile and include a 2 mm bleed when preparing your files.
Use colour theory to direct attention and support your brand: choose a dominant colour for mood, secondary colours for contrast, and accent colours for call-to-action elements. Contrast and hierarchy guide the eye and make your message legible, so prioritize legibility of logos and text over purely decorative patterns. Soft-proof your design in CMYK and consult Print & Graphics’ templates to align expectations between screen and press.
For exact brand matches, consider spot colours or Pantone references alongside CMYK for elements that must be identical every run. Also, leave a 2 mm bleed and keep important elements inside the safe area to avoid trimming into your design; provide PDFs with embedded fonts and linked images at 300 DPI to minimize surprises.
Finishes change how colour reads: gloss intensifies saturation, matte mutes it, and UV spot varnish makes highlights pop — choose finishes to amplify colour impact. Be mindful that certain finishes can alter perceived colour and mask fine detail, so test proofs when you can to ensure the final pillow box reflects your vision.
You begin by preparing your artwork to the correct specifications: use the provided template, set files to CMYK, and include a 2‑mm bleed so your design prints edge-to-edge. At proof stage you confirm colours and finishes; partnering with a specialist like Print & Graphics helps ensure your files are optimised for the selected substrate and printing method.
Production moves from printing to finishing: sheets are printed on GC2 chromo board (250–350 gsm depending on size), then die‑cut and creased, followed by gluing and packing. Be aware that processes such as die‑cutting and machine gluing involve sharp blades and fast-moving equipment, so safety oversight is necessary; positives include robust board choices and multiple lamination options that increase durability and perceived value.
Production Steps — Quick Reference
| Step | What it means for your box |
| Design & Artwork | Use template, CMYK, 2‑mm bleed; check fonts and resolution to avoid print defects. |
| Prepress | PDF check, colour proofing and trap/bleed verification; adjustments made before print. |
| Printing | CMYK on GC2 chromo board (250–350 gsm depending on size); high fidelity colour output. |
| Finishing | Lamination choices (gloss, matte, soft‑touch) and optional UV spot varnish to enhance look and scratch resistance. |
| Die‑cutting & Creasing | Sheets are punched and creased flat for efficient storage and safe transport; precision here preserves fit. |
| Gluing & Packing | Automated gluing secures edges; boxes are packed flat or assembled depending on your requirement. |
| Final Inspection | Checks for colour, cut accuracy, lamination defects and adhesive integrity before shipment. |
You should expect layered quality checks from artwork approval through final packing: digital proofs to validate colour, inline checks during printing for registration and ink density, and post‑print inspections for cuts, creases and adhesive performance. Highlight any areas with visible defects, misregistration, or weak adhesive bonds immediately so they can be corrected before large runs proceed.
At finishing, additional checks verify lamination adhesion, spot‑varnish placement and seam strength; for larger formats your board grammage is inspected to ensure it meets the tensile and bending requirements for safe handling and product protection. The combination of standardised tests and targeted visual inspection delivers consistent, high‑quality results.
Your involvement at key checkpoints—approving proofs, confirming finishes and specifying packing—reduces rework and ensures the end product matches your expectations; positive outcomes include enhanced durability from heavier board options and premium appearance from selective lamination and UV spot varnish.
Embossing and foil stamping transform a simple pillow box into a premium experience by adding tactile depth and eye-catching metallic accents. Embossing raises your logo or pattern off the surface for a refined, tactile cue, while foil stamping delivers high-impact shine and color contrast that draws the eye and signals value. These techniques pair especially well with gloss or soft-touch lamination to create a luxury impression that your customers will associate with your brand.
Be mindful of material limits and placement: deep embossing or heavy foil coverage on thin board can cause creasing or weaken fold lines. Excessive embossing may lead to cracking or compromised structural integrity on lighter grammages, so coordinate with Print & Graphics on suitable substrates and exact positioning to avoid production problems and ensure consistent results.
Personalization lets you tailor each pillow box to its recipient or campaign—think variable data printing for names or codes, custom artwork, die-cut windows, and bespoke inserts. Variable data printing lets you personalise each box, increasing perceived value and engagement for promotions, limited editions, or personalized gifts. Combining personalization with refinements like spot UV, lamination, or foil stamping elevates both unboxing and brand recall.
Keep in mind that personalization often affects cost and scheduling: custom runs typically increase production time and per-unit cost, especially when combined with multiple refinements. Work with Print & Graphics to balance the number of unique variants, run lengths, and finishing choices so you hit your quality, budget, and delivery targets.
Design practicalities matter: supply vector logos, high-resolution images, and follow the provided templates so key elements avoid folds, creases, and glue areas. For foil and embossing, use solid art (no thin hairlines) and allow sufficient margins; for laminated finishes, note that matte or soft-touch options may restrict where spot UV can be applied. Place critical text and barcodes away from folds and perforations, and confirm proofs with Print & Graphics before full production to prevent costly reprints.
You find that pairing pillow boxes with complimentary items—tissue paper, custom ribbon, branded stickers and small inserts—often boosts perceived value and creates a coherent unboxing experience that customers remember. Many buyers also add matching gift bags or move to larger telescope or postal boxes when they need extra protection or multi-item presentation; suppliers like Print & Graphics make it easy to order these options in small runs.
If you’re shipping delicate items, you should add padding such as foam, tissue or kraft filler because fragile items can be damaged in transit, generating returns and poor reviews. To elevate presentation, you can select refinements—gloss, matte or soft-touch lamination and UV spot varnish—which are seen as positive signals of quality by recipients.
You’ll notice buyers favor packaging that balances style with sustainability: sustainable, recyclable materials and reduced waste are increasingly decisive, while personalization and small-run printing allow you to meet niche demands and seasonal promotions without excessive inventory. Consumers responding to tactile appeal also push demand for finishes that feel premium.
At the same time, shoppers expect e-commerce-ready protection and easy assembly—so packaging must be attractive and practical. Many customers seek soft-touch and matte finishes for luxury items, but you should avoid overdoing layers of material because excessive packaging increases returns and environmental backlash.
You should also pay attention to material specs and print setup: buyers value the robustness of GC2 chromo board and appropriate grammage (for example, 250 gsm up to 150 mm, 300 gsm up to 270 mm, 350 gsm up to 300 mm), and professional results rely on proper file preparation—leave a 2-mm bleed and use the PDF template to avoid print issues.
Ultimately you can rely on pillow boxes to present gifts and small products attractively and securely: their curved shape adds visual appeal, a range of rectangular and square formats accommodates items from delicate jewellery to textiles, and robust GC2 chromo board in graded grammages ensures durability for different sizes. You benefit from CMYK four‑colour printing, lamination options and UV spot varnish to elevate your branding, while folded delivery keeps storage and handling efficient.
You can have your designs printed and finished efficiently through Print & Graphics, using the provided PDF templates and a 2‑mm bleed to avoid production issues; boxes are creased, glued and delivered flat, allowing you to scale from single bespoke pieces to larger runs with consistent quality. By selecting the right size, material weight and refinements you ensure your pillow boxes reflect your brand identity and protect your products during presentation and transit.
A: Pillow boxes are curved, pillow-shaped packages named for their distinctive silhouette. Their rounded sides give a more informal, stylish look compared with angular cartons, making them ideal for gifts, vouchers, textiles, jewellery and small retail items. Print & Graphics can print personalised pillow boxes in small runs from a quantity of 1 with fast, high-quality processing.
A: Pillow boxes are available in a range of square and rectangular formats. Square sizes span from 60 x 20 x 60 mm up to 300 x 100 x 300 mm with seven intermediate square options. Rectangular sizes start at 60 x 20 x 120 mm and go up to 350 x 100 x 300 mm for larger garments or multiple items.
A: Pillow boxes are produced from GC2 chromo board, double-coated on one side for rigidity and good volume. For side lengths up to 150 mm we use 250 gsm cardboard; up to 270 mm we use 300 gsm; boxes with 300 mm side lengths are printed on 350 gsm board to ensure maximum strength and durability.
A: Supply your artwork as a PDF using the Print & Graphics template. Include a 2 mm bleed around the artwork and place important text or logos well inside the safe area to avoid being cut off during finishing. Use CMYK colour mode for accurate reproduction and check that all fonts are embedded or converted to outlines.
A: Standard printing is CMYK four-colour process, which provides flexible, high-quality colour reproduction for full-colour motifs. If you need help selecting inks or matching colours, Print & Graphics offers consultation via phone or chat to guide your choices.
A: Refinements include lamination (gloss, matte, or soft-touch) and UV spot varnish. Gloss lamination gives a shiny surface and may be combined with UV spot varnish on top; matte or soft-touch lamination is applied to one side, with UV spot varnish used on the other for contrast. These options improve scratch resistance, tactile feel and visual impact.
A: After printing, boxes are punched, creased flat and glued. They are shipped unfolded to save space; final assembly is simple—fold along the creases and tuck the rounded flaps to close. Production is efficient and cost-effective at Print & Graphics, and the same expertise is available for related packaging like telescope or postal boxes.